Abstract
The Singa Barong engraved on the frontal base of the Javanese Keris blade, positioned above the ganja, is important because it demonstrates how a global symbol of power acquires a localized ethical meaning within Javanese culture. This study aims to explain that process by examining the visual form and symbolic function of Singa Barong and comparing it with lion representations in Asian, European, and American traditions, including the Chinese qilin and guardian lions. The research draws on primary visual data from museum collections and secondary sources on cross-cultural lion imagery. A semiotic–hermeneutic approach framed by Gestalt theory guides the analysis. Visual units, structural relations, and symbolic attributes were identified and interpreted to reveal how the unity of form shapes meaning across different cultural contexts. The results outline three key findings. First, lion images across civilizations share an identical gestalt that joins authority, vigilance, and moral discipline. Second, the Singa Barong reconfigures this archetype by emphasizing ethical self-control as the central value in Javanese thought. Third, the Keris positions the lion not as an emblem of domination but as a refined heraldic figure that affirms spiritual power through cultural wisdom. The study concludes that the Singa Barong exemplifies the convergence of global iconography and Javanese ethical philosophy. This insight contributes to a deeper understanding of how form, belief, and power interact within world visual cultures.
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